The second Future Fabrics Expo was hosted at the London College of Fashion on November 7th – 9th 2013, and was attended by a rather large number designers, buyers and students. Roughly 650 fabrics with a reduced environmental impact stemming from around 50 textile mills world-wide, were showcased, along with inspirational and/or interactive videos and information panels.
"The Travels of a T-shirt in the Global Economy" takes the exemplary T-shirt, and takes us on a journey to discover its origins. From Texas, to China, to the US again, and then to the second-hand trade in Africa.
The amount of textile products thrown away, incinerated using fuel, or sent to the landfill in Japan comes to about 1.97 million tons per year. Contrary to other materials, for textile products, however, there is no nationwide recycling law in place.
As a consumer, we have a basic understanding of “Ethical”. We know that buying such a product is supposed to alleviate some of our guilt, by doing a little bit of good, but what does it actually mean?
Report by Jacqueline Shaw from Africa Fashion Guide, on a recent visit to The Gambia and the textile history and techniques she encountered during her stay.
The European wool industry has all but disappeared. Recently however, a grassroots trend is emerging. Mini mills now cater to small hold breeders, which turns wool source more transparent then ever.
The current fashion and textile landscape is fairly limited in terms of what types of materials are being used. Innovation is key, and products such as Tencel, Sorona and Ingeo proof that industry is investing heavily in R&D. Spider Silk may be one of the few natural fibres of the future yet to see it hayday.
The 'Everything must go' exhibition, that took place from January 20 to 22, 2012, introduced the wider public to the details of the global value chain for discarded clothing. Drawing from the results of 5 years of research, the numbers and facts are staggering, and intriguing at the same time.
I've recently resurrected my knitting skills. I've learned since that the lack of skill and ability to make our own, leaves us with a complete wrong understanding of the efforts required when making clothing.
The effect of plastics in our oceans has been repeatedly hit in the news over the last few years.
A hazard in two forms: as a plastic in totality; or as a microfiber/micro particle, which also carries chemistry (pollution) into the environment, from the product they started life as. Research to date shows that this pollution cannot be exhaustively blocked through wastewater treatment plants, consequently micro particles are ending up in our global waterways.
Like its larger sister ISPO – normally taking place at the end of January or the beginning of February, half way between the two Fashion Week cycles – Performance Days feature a high-end portfolio of performance and sports wear manufacturers, many of which actively develop and push the innovation agenda of their industry.
Uncertainty is widespread in the cotton market: Textile Exchange published organic cotton production figures. The current Farm & Fiber Report shows a drastic decrease. Simon Ferrigno on the current developments of the organic cotton sector and about his predictions for the future of the eco fashion market.
“The raison d'être of Lilou is my desire to connect people with 'their' colour.
I wanted to take the opportunity and expose people to their colour, the ones that make them feel relaxed, energized, happy, motivated..." says Ingrid Vercruyssen, the textile designer behind Lilou.
Cork is one of the most sustainable natural materials extant. Portugal supplies about two thirds of the world's cork, but the increased use of plastic bottle stoppers for wine, instead of cork, poses a threat to the country's industry. This post presents some data around cork and describes the bigger picture. The follow up post will look at how innovative uses of cork find application in fashion.
The reaping (black market) trade in reptile skins for the luxury fashion and accessories market is an openly talked about, albeit ugly, reality of the present.
The recently published UNCTAD BioTrade report and toolkit provides useful and pragmatic info for designers.
Julius Walters of Stephen Walters & Sons is a ninth generation weaver of a family business founded 1720. This is the company that wove the silk for the Queen’s coronation robes and for Princess Diana’s wedding dress.
The Cradle to Cradle (C2C) idea has been around for a good decade now, longer if we’d track it right back to its inception. The first C2C fabric was developed sometime in the early 2000s, and flies now around the world as upholstery fabric on the A380 Airbus models.
If there is an area of fashion that is truly pushing the boundaries of what is technically and style-wise possible, then it is Haut Couture.
In January 2013 2 pieces among Iris van Harpenr’s 11-piece collection at Voltage show attracted the interested of fashionistas as much as product techies: The first ever wearable dresses created through a 3D printing process.
Sashiko - a now extinct Japanese textile technique and tradition which for centuries was used to adorn as much as make garments more durable. A portrait.
Itchiku Kubota is possibly the Japanese Kimono artist par excellence. None of his contemporaries have created such a body of work. At the same time, the artist brings the value of craftsmanship, today often ignored or under-rated, to our attention.
