“When you do something wrong, don’t try improve upon it.” Instead you go back to design of a product, and fix the problem right where it went wrong in first place
"The Travels of a T-shirt in the Global Economy" takes the exemplary T-shirt, and takes us on a journey to discover its origins. From Texas, to China, to the US again, and then to the second-hand trade in Africa.
Fashion Futures has analysed the fashion industry and come up with 4 scenarios for 2025. Opnuu, a UK start up, plans to commercialise clothing rental - outlined already in the Community Couture scenario.
"Salaula" tells us the whole story of second-hand clothing. It brings together 2 complementary aspects: Cultural & Economic analysis, and the voice of the real people.
This article has originally been published online by ‘Japan for Sustainability’ (JFS) on May 30, 2005. It is the 1st...
The amount of textile products thrown away, incinerated using fuel, or sent to the landfill in Japan comes to about 1.97 million tons per year. Contrary to other materials, for textile products, however, there is no nationwide recycling law in place.
Smateria is a Cambodian upcycling bag label founded by 2 Italian women. What originally was a haphazard venture with the will to improve the lives of Cambodian women has turned by now into a successful social business.
A fascinating book, full of examples, about how traditional Japanese society innovatively survived in a land of scarce resources, over-population and huge cities.
The 'Everything must go' exhibition, that took place from January 20 to 22, 2012, introduced the wider public to the details of the global value chain for discarded clothing. Drawing from the results of 5 years of research, the numbers and facts are staggering, and intriguing at the same time.
Cradle to Cradle is a design methodology that puts a 'waste-less' world at its heart. What is the concept all about? What does it mean for the apparel industry? And who practises it among designers and companies?
“Innovatively combining new British and sustainable fabrics with reclaimed textiles” – this is Goodone’s raison d’etre in their own words. Their most recent initiative: A proper upcycling factory that can cope with both, pre- and post-consumer waste, and is the first ‘streamlined’ upcycling facility equipped and ready to work with designers on something more than one-offs.
In the briefest of time, Bottletop's iconic bags have not only made into the limelight of fashion weeks supported by VIP, but their business model and approach has earned the organisation a shortlisting for the Observer Ethical Awards 2012, the British 'Green Oscars'.
Discarded at one time, and hidden away in a drawer of the family home or even flogged off in a car boot sale, 'Little Glass Clementine' turns the most improbable centre piece of unique necklaces, each made 'to measure' for the personality and character of its new owner.
This book emerges itself into how clothing is bought, worn, discarded and recycled within India. In other words, it tracks down how Indian citizens (primarily women) manage their wardrobes, and the strategies and criteria of how they do it.
ntil the late 80s, fashion retailers and brands would typically have two main collections a year: spring/summer and autumn/winter. Then, in the 90s things changed dramatically. Increased competition saw retailers incentivising customers to visit their stores more frequently.
The Sharing Economy’s monetary value is currently worth £301bn globally. It is expected to grow by at least 15% over the next 5 years. Thanks to the wedding dresses and suits, the concept of sharing has never quite disappeared entirely from the fashion market. And now is the time where it emerges with more strength than ever.
Panipat is an ancient and historic city in the Panipat district, state of Haryana, India. The city is the global centre of “Shoddy Yarn”. It is a business that is worth 1 billion dollars world wide. 85% of the volume is for the domestic marketm 15% for export. But the industry has more shadows then there is light ...
The term ‘circular economy’ has recently been – again – converted into a buzz word. To some extent there are a couple of good reasons for that as both common sense as well as the Ellen McArthur foundation's most recent report prove.
Circular economy is the antonym of linear economy. Linear economy has been the dominant industrial model in our history and postulates production is followed by consumption that then ends up with the disposal of used products. As opposed to this, circular economy seeks to rebuild capital, whether this is financial, manufactured, human, social or natural and sees products having a longer or a never-ending life that are either re-used as new inputs to create new products or shared and co-owned by different consumers.
Like its larger sister ISPO – normally taking place at the end of January or the beginning of February, half way between the two Fashion Week cycles – Performance Days feature a high-end portfolio of performance and sports wear manufacturers, many of which actively develop and push the innovation agenda of their industry.
