This article has originally been published online by ‘Japan for Sustainability’ (JFS) on May 30, 2005. It is the 1st...
Daring to ask and daring to understand: the key ingredients that turn a passive customer in an active (activist) participant in our market economy. This book portrays 26 natural dye artisans, in beautiful pictures, honouring their skill and wisdom.
One by one European manufacturers go out of business, and with them a vast quantity of skills and knowledge is lost. The most recent example is Switzerland's Weisbrod silk weavery. Yet: it seems the tide is changing, for good reason.
On March 3rd, 2011, ethical fashion was discussed in a Question session of the UK's House of Lords. Much focus was on human rights & the environment. But fashion is driven by SMEs ...
Itchiku Kubota is possibly the Japanese Kimono artist par excellence. None of his contemporaries have created such a body of work. At the same time, the artist brings the value of craftsmanship, today often ignored or under-rated, to our attention.
5 years ago one Araisara's customers brought in a long Miyazome-dyed handkerchief. The designer fell in love with this beautiful dye technique. As soon as she could, she visited the Miyazome-dye atelier in Utsunomiya City in the northern Kanto region, some 2 hours from Tokyo on the Shinkanzen bullet train. The atelier was run by just one man, who was well into his 80s.
Discarded at one time, and hidden away in a drawer of the family home or even flogged off in a car boot sale, 'Little Glass Clementine' turns the most improbable centre piece of unique necklaces, each made 'to measure' for the personality and character of its new owner.
In Tunisia, like across most of the Maghrib region, textiles, their significance and methods of production remain a firm part of the country’s identity and history. A portrait.
"Made in [your country]" is an ongoing attractive topic in the contemporary sustainable fashion discussion. In many cases, one that borders - or is even right in the middle of - some rather right-wing nationalist sentiments. Europe as a whole does not need that - there is enough quality design and craftsmanship to be proud of without getting into shallow waters.
Bryan Whitehead is one of the few remaining textile craftsmen in Japan who not only rears his own silk, but masters the whole textile process. Just as he as learned from seasoned crafts people, he now hands his knowledge on to his students. A plea to best of craftsmen and women cherish their expertise by teaching.
PASS THE BATON is a new type of recycle shop with two locations, in the center of Tokyo. It cherishes the emotional bound that both, previous and new owner have with the item, fostered by a carefully curated setting.
The reaping (black market) trade in reptile skins for the luxury fashion and accessories market is an openly talked about, albeit ugly, reality of the present.
The recently published UNCTAD BioTrade report and toolkit provides useful and pragmatic info for designers.
“The raison d'être of Lilou is my desire to connect people with 'their' colour.
I wanted to take the opportunity and expose people to their colour, the ones that make them feel relaxed, energized, happy, motivated..." says Ingrid Vercruyssen, the textile designer behind Lilou.
With Sao Paulo Fashion Week just closed I am here to write (again) about Brazilian fashion.
This time it is about an interesting project I got to know of personally, Projeto Contem, a private and independent initiative.
Projeto Contem is both a brand and a network of entrepreneurs working in textile and fashion as well as in food, beauty, design, arts, music and cinema.
For retail, Brazil is the ‘next hot’ place to go to.
For a variety of reasons: For one, the country’s economy has been for a long time up and raising. Brazil is one of the 4 BRIC countries – the 4 most dominant raising economies, and ranks forth among them. Its retail sector is expected to boom tremendously over the next few years owing largely to the two major global sport events – the 2014 FIFA World Cup and Rio 2016 Summer Olympics that will take place in the country.
For Araisara, one of the biggest influences in her career as a fashion designer, in her life, comes from a women she tenderly calles 'Granny.' Granny is the inspiration behind Araisara's SS2010 'Hibiki' (echo) collection, which features stunning Sumi-Nagashi dyed fabrics.
Connecting the present and the past, learning and drawing conclusions from either, is and will remain key to creating a more sustainable fashion industry. So far, learning from the past in particular - in the good and in the bad - has been chiefly neglected. A series of thoughts.
'Make it British', or the equivalent: French, Italian, German, Spanish ..., is often talked of as the ultimate panacea to address the lack of sustainability in the fashion industry. A few reasons why it all is slightly more complicated than it sounds.
Julius Walters of Stephen Walters & Sons is a ninth generation weaver of a family business founded 1720. This is the company that wove the silk for the Queen’s coronation robes and for Princess Diana’s wedding dress.
In a recent trip to Italy, I encountered many a beautiful leather product.
Yet - all of them seemed to too cheap. Cheaper than sustainable - or not?
