Sneakers, or basket ball shoes, are an unlikely candidate for building a successful ethical brand, yet Veja has managed the grow in an otherwise saturated market.
Visiting the Paris fashion trade fairs raises once again the eternal question: When if bad design is omnipresent, why is it that ethical fashion is blamed more frequently than others? Some insights.
Animanà is a calling to give the world an alternative production model that connects the market with the artisans who live in marginal areas of the Andean region. A portrait.
'Africa' & 'Fashion' in one sentence, usually evokes the picture of the cliché matron wearing an attire in recognisable prints. To prove that these may indeed just be nothing but clichés, and that there is much much more to African Fashion, is this book's mission
Contrary to common opinion, ‘Australian-made’ does not always mean ethically made. In some cases salaries as low as AUS$ 4 are paid. Ethical Clothing Australia is campaigning to change their domestic fashion industry from within.
The word Beshtar means 'More' in Dari. The idea behind the brand and its designs is to do more for the people of Afghanistan. The inspiration for Beshtar comes from the resilience of a people living in a country that has been at war for more than 30 years.
Scientists, engineers, designers and creators. 3 'species' of people that neither in academia, nor in industry collaborate well. Yet, precisely the fashion and textiles industry is so trans-disciplinary that collaboration is a must.
Cotton as an attractive alternative in tsunami regions. Leading textile manufacturers promoting the cultivation of organic cotton. New technologies and methods for natural dyeing processes and recycling. And five categories of Green Fashion in Japan.
“The raison d'être of Lilou is my desire to connect people with 'their' colour.
I wanted to take the opportunity and expose people to their colour, the ones that make them feel relaxed, energized, happy, motivated..." says Ingrid Vercruyssen, the textile designer behind Lilou.
Story telling is a powerful tool, and an important part of how we create lasting memories. Can we use the power of story telling to encourage a different type of fashion consumption?
The KISS principle - Keep it Simple, Stupid. Can it also be applied to the term ‘sustainable fashion’? Can it the concept help us to clear up some of the confusion around the term 'sustainable fashion'? A discussion by Nerida Lennon.
On May 3rd 2012 the 2nd Fashion Summit took place in Copenhagen. Bringing fashion industry key people together to discuss sustainability with them, yet without using the term itself, is already a considerably achievement. Ilaria Pasquinelli attended and reports on her insights.
“Innovatively combining new British and sustainable fabrics with reclaimed textiles” – this is Goodone’s raison d’etre in their own words. Their most recent initiative: A proper upcycling factory that can cope with both, pre- and post-consumer waste, and is the first ‘streamlined’ upcycling facility equipped and ready to work with designers on something more than one-offs.
In the briefest of time, Bottletop's iconic bags have not only made into the limelight of fashion weeks supported by VIP, but their business model and approach has earned the organisation a shortlisting for the Observer Ethical Awards 2012, the British 'Green Oscars'.
Resting the case for innovation.
“Globalization presumes sustained economic growth. Otherwise, the process loses its economic benefits and political support.” (P. Samuelson). There is an evident illogic, impossibility, of the traditional 'economic growth' lemma.
The Sharing Economy’s monetary value is currently worth £301bn globally. It is expected to grow by at least 15% over the next 5 years. Thanks to the wedding dresses and suits, the concept of sharing has never quite disappeared entirely from the fashion market. And now is the time where it emerges with more strength than ever.
Khadi is an Indian fabric par excellence. Hand-made from start to finish it has for centuries been the livelihood of rural communities. But the industry is in decline. Interview with Shailini Seth-Amin, CEO of MoralFibres, a company set to re-invent Khadi.
March 22, 2012 : Araisara has completed her last runway show at Japan Fashion Week, and is preparing her collection's launch in Paris in October 2012. But while fashion shows are important, it is the people that remain the one single most important source of inspiration for her brand.
For Araisara, one of the biggest influences in her career as a fashion designer, in her life, comes from a women she tenderly calles 'Granny.' Granny is the inspiration behind Araisara's SS2010 'Hibiki' (echo) collection, which features stunning Sumi-Nagashi dyed fabrics.
The “Better Consumer” report aims to be a source of reliable information to those executive saying “Show me there is demand, and we'll be happy to cater to it” when asked why their fashion brand is not producing better, more sustainable products.