Dutch design is defined as “minimalist, experimental, innovative, quirky, and humorous”. This sophisticated and open-minded taste, typically northern European, is consistent across product design, architecture and fashion. This article looks at the landscape in the Amsterdam specifically.
The second Future Fabrics Expo was hosted at the London College of Fashion on November 7th – 9th 2013, and was attended by a rather large number designers, buyers and students. Roughly 650 fabrics with a reduced environmental impact stemming from around 50 textile mills world-wide, were showcased, along with inspirational and/or interactive videos and information panels.
ntil the late 80s, fashion retailers and brands would typically have two main collections a year: spring/summer and autumn/winter. Then, in the 90s things changed dramatically. Increased competition saw retailers incentivising customers to visit their stores more frequently.
Prato, a few kilometres outside Florence, Italy, is one of the country’s historic textile districts. With the launch of a range of carbon neutral fabrics the district seems to finally enter a period of experimentation of how to leverage its legacy in a positive way and for its future survival and competitiveness.
With an event targeting the industry. the United Kingdom’s Department for Environment, Food and Rural Affairs (Defra) launched their first Sustainable Action Plan (SCAP) report revealing the data about the extent and impact of the country’s clothing waste.
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