Twice a season the fashion circus congregates in Paris not for showing their own achievements off, but rather to get inspired for their own 'what comes next'. In this article, I'll give a brief overview of 2 locations, and 3 shows: Paris' Première Vision and TexWorld, and Italy's Milano Unica.
On November 12 and 13, 2013 the yearly Textile Exchange conference took place in Istanbul, Turkey.
I was invited to run a workshop on Scenario Work as one of the 'Strategy' break out session on the first day. The workshop was fully booked with 25 highly interested and active participants. In 90 challenging minutes they experienced a compressed version of a Scenario Planning workshop.
On September 12 to 14, I attended the European Business Ethics Network (EBEN) yearly conference in Lille, France. The theme of this year’s edition was ‘License to Operate’.
I and my colleague Ilaria Pasquinelli, both presented a research paper, focused on sustainability and value generation in the fashion industry, and the status quo of knowledge on sustainable consumption habits respectively.
I had the chance to speak at the Green Business conference last week in Istanbul about future market scenarios for the fashion industry. The conference is an event of the Sustainability Academy in Turkey.
Key highlights from the event
Lack of knowing where to buy is among the most cited reasons by consumers as to why the don’t buy more sustainably in fashion terms (right after price). A Switzerland-based, recently launched internet portal has tackled this problem by offering consumers a shopping guide and index to both brands and shops that are available in Germany, Austria and Switzerland.
Last week I had the opportunity to speak at Sustainable Brands Istanbul about the risks and opportunities related to sustainability for textile and fashion businesses. Turkey is a key global producers of textile and garments and the export of these products account for roughly 20% of the country’s overall exports.
Like its larger sister ISPO – normally taking place at the end of January or the beginning of February, half way between the two Fashion Week cycles – Performance Days feature a high-end portfolio of performance and sports wear manufacturers, many of which actively develop and push the innovation agenda of their industry.
March 22, 2012 : Araisara has completed her last runway show at Japan Fashion Week, and is preparing her collection's launch in Paris in October 2012. But while fashion shows are important, it is the people that remain the one single most important source of inspiration for her brand.
There are several things that come to your mind when visiting Estethica at London Fashion Week this February. To start with, the new venue , in the West Wing of Somerset House, adopted since last edition, is really sophisticated. Exhibitors are accommodated in rooms with a neat aesthetics that has one aim: making collections the only protagonists. Further, it is interesting to note that, besides the usual “aficionados” like Ada Zanditon or Henrietta Ludgate, there are some interesting international emerging talented brands.
Dutch design is defined as “minimalist, experimental, innovative, quirky, and humorous”. This sophisticated and open-minded taste, typically northern European, is consistent across product design, architecture and fashion. This article looks at the landscape in the Amsterdam specifically.
The second Future Fabrics Expo was hosted at the London College of Fashion on November 7th – 9th 2013, and was attended by a rather large number designers, buyers and students. Roughly 650 fabrics with a reduced environmental impact stemming from around 50 textile mills world-wide, were showcased, along with inspirational and/or interactive videos and information panels.
The RITE Conference's 2012 edition showed that the challenges for the industry are clear, and so are the general directions that need to be taken. But there are some marvellous and challenging mountains to climb, and they cause a notably sensation of paralysis.
"Made in [your country]" is an ongoing attractive topic in the contemporary sustainable fashion discussion. In many cases, one that borders - or is even right in the middle of - some rather right-wing nationalist sentiments. Europe as a whole does not need that - there is enough quality design and craftsmanship to be proud of without getting into shallow waters.
The RSA brought together a group of thinkers and practitioners who have each been exploring ways to bring the principles of 'slow' to their life and work – whether in finance, culture or fashion. A brief summary, and some key insights.
London Fashion September 2012: This season's EstEthica was possibly the best edition yet. Finally, there was also a relevant number of brands. Shirahime's insights.
The Guardian Sustainable Business & Observer Ethical Awards 2012 edition in fashion terms. Cradle to Cradle is becoming popular in the nitty gritty of the carpet industry, Puma's Profit and Loss Accounts get credit, and Kids imitate Katherin Hamnett's 1980's slogan T-shirts to raise awareness.
On May 3rd 2012 the 2nd Fashion Summit took place in Copenhagen. Bringing fashion industry key people together to discuss sustainability with them, yet without using the term itself, is already a considerably achievement. Ilaria Pasquinelli attended and reports on her insights.
London Fashion Week is feeling the effects of the global 'austerity' programme with fewer brands participating overall. The gems are still there and worth hunting for. Sometimes though, the gems of previous seasons remain the headlines.
The most recent event in the 'Perspectives on Future Sustainable Design' series highlighted the progress made in developing sustainable design approaches. Both, from a theoretical as well as from a systemic point of view. A summary.
The RITE and Made-By annual conferences 2011 pinpointed the importance of supply chain ownership. A trans-disciplinary group of speakers introduced ongoing activities in their respective specialities, and illustrated the positive impact of collaboration.
