The term ‘circular economy’ has recently been – again – converted into a buzz word. To some extent there are a couple of good reasons for that as both common sense as well as the Ellen McArthur foundation's most recent report prove.
The current fashion and textile landscape is fairly limited in terms of what types of materials are being used. Innovation is key, and products such as Tencel, Sorona and Ingeo proof that industry is investing heavily in R&D. Spider Silk may be one of the few natural fibres of the future yet to see it hayday.
Uncertainty is widespread in the cotton market: Textile Exchange published organic cotton production figures. The current Farm & Fiber Report shows a drastic decrease. Simon Ferrigno on the current developments of the organic cotton sector and about his predictions for the future of the eco fashion market.
For most of us within the small professional circles of sustainable fashion, the terms ‘upcycling’, ‘recycling’, and ‘downcycling’ flow aeasy over our lips. However, while there are a few simple definitions of what these terms means – to follow hereafter – the concept demands a bit more attention when drilling down into material streams related to fibres, in particular
Panipat is an ancient and historic city in the Panipat district, state of Haryana, India. The city is the global centre of “Shoddy Yarn”. It is a business that is worth 1 billion dollars world wide. 85% of the volume is for the domestic marketm 15% for export. But the industry has more shadows then there is light ...
In Medieval times the location of a tannery was heavily based on the requirements of a nearby river or stream, cattle which could supply the hide, and of course oak trees which would supply the bark needed for the tanning process. In the present, because of the demand for luxury at the cheapest possible prices, the industry is pushed out to where it is easier to ignore the moral and environmental reek.
After 10 years in the make, CETI, the European Centre for Innovative Textiles, was finally inaugurated in October 2012. The aim of the research centre is to give the textile industry a platform to research and prototype innovative textiles that can be used in sectors like: Medical, Sport & Leisure, Hygiene, and Protection sectors representing 25% of technical textile manufacturing industry; building and civil engineering that account for 10% of the production; transport making 26% of the market volume (and 15% of the market value) of technical textiles.
The second Future Fabrics Expo was hosted at the London College of Fashion on November 7th – 9th 2013, and was attended by a rather large number designers, buyers and students. Roughly 650 fabrics with a reduced environmental impact stemming from around 50 textile mills world-wide, were showcased, along with inspirational and/or interactive videos and information panels.
Cork is one of the most sustainable natural materials extant. Portugal supplies about two thirds of the world's cork, but the industry has been under pressure in the past few decades. This post shows how innovative companies have found application for the material in the realm of fashion.
Cork is one of the most sustainable natural materials extant. Portugal supplies about two thirds of the world's cork, but the increased use of plastic bottle stoppers for wine, instead of cork, poses a threat to the country's industry. This post presents some data around cork and describes the bigger picture. The follow up post will look at how innovative uses of cork find application in fashion.
Prato, a few kilometres outside Florence, Italy, is one of the country’s historic textile districts. With the launch of a range of carbon neutral fabrics the district seems to finally enter a period of experimentation of how to leverage its legacy in a positive way and for its future survival and competitiveness.
The reaping (black market) trade in reptile skins for the luxury fashion and accessories market is an openly talked about, albeit ugly, reality of the present.
The recently published UNCTAD BioTrade report and toolkit provides useful and pragmatic info for designers.
Are natural perfumes the panacea for sustainability in the fragrance industry? Are there good sides, not only bad ones, to synthetics ingredients in perfumes? And what about health impacts? A brief overview of the most important issues.
Julius Walters of Stephen Walters & Sons is a ninth generation weaver of a family business founded 1720. This is the company that wove the silk for the Queen’s coronation robes and for Princess Diana’s wedding dress.
Report by Jacqueline Shaw from Africa Fashion Guide, on a recent visit to The Gambia and the textile history and techniques she encountered during her stay.
“The raison d'être of Lilou is my desire to connect people with 'their' colour.
I wanted to take the opportunity and expose people to their colour, the ones that make them feel relaxed, energized, happy, motivated..." says Ingrid Vercruyssen, the textile designer behind Lilou.
Cradle to Cradle is a design methodology that puts a 'waste-less' world at its heart. What is the concept all about? What does it mean for the apparel industry? And who practises it among designers and companies?
The 'Everything must go' exhibition, that took place from January 20 to 22, 2012, introduced the wider public to the details of the global value chain for discarded clothing. Drawing from the results of 5 years of research, the numbers and facts are staggering, and intriguing at the same time.
Bryan Whitehead is one of the few remaining textile craftsmen in Japan who not only rears his own silk, but masters the whole textile process. Just as he as learned from seasoned crafts people, he now hands his knowledge on to his students. A plea to best of craftsmen and women cherish their expertise by teaching.
Sashiko - a now extinct Japanese textile technique and tradition which for centuries was used to adorn as much as make garments more durable. A portrait.
