PASS THE BATON is a new type of recycle shop with two locations, in the center of Tokyo. It cherishes the emotional bound that both, previous and new owner have with the item, fostered by a carefully curated setting.
Animanà is a calling to give the world an alternative production model that connects the market with the artisans who live in marginal areas of the Andean region. A portrait.
5 years ago one Araisara's customers brought in a long Miyazome-dyed handkerchief. The designer fell in love with this beautiful dye technique. As soon as she could, she visited the Miyazome-dye atelier in Utsunomiya City in the northern Kanto region, some 2 hours from Tokyo on the Shinkanzen bullet train. The atelier was run by just one man, who was well into his 80s.
March 22, 2012 : Araisara has completed her last runway show at Japan Fashion Week, and is preparing her collection's launch in Paris in October 2012. But while fashion shows are important, it is the people that remain the one single most important source of inspiration for her brand.
For Araisara, one of the biggest influences in her career as a fashion designer, in her life, comes from a women she tenderly calles 'Granny.' Granny is the inspiration behind Araisara's SS2010 'Hibiki' (echo) collection, which features stunning Sumi-Nagashi dyed fabrics.
The word Beshtar means 'More' in Dari. The idea behind the brand and its designs is to do more for the people of Afghanistan. The inspiration for Beshtar comes from the resilience of a people living in a country that has been at war for more than 30 years.
North Italian fabric manufacturer Bonotto is returning to their roots and at the same time giving luxury fashion fabrics a new lease of authenticity and craftsmanship.
For their ‘Fabbrica Lenta‘ (the slow factory) range, they have unearthed the looms as well as dye techniques their district made its name with in the early 20th century.
Kenzo, Koshino, Nigo, Yamamoto - many an internationally renowned Japan designer was trained at Tokyo's Bunka College of fashion. At the college, sustainability and ethics are considered as important as good design technique in educating students.
Natural Dyes in large scale industrial processes sounds like a complete 'No Go'. Tintoreria Clerici - one of the oldest and biggest in the business - is going back to their roots, and proving us all wrong.
Algha Works are Britain’s last metal spectacle frame manufacturer, operating from Fish Island - close to the 2012 Olympics' site - for the past century. A portrait.
Lack of knowing where to buy is among the most cited reasons by consumers as to why the don’t buy more sustainably in fashion terms (right after price). A Switzerland-based, recently launched internet portal has tackled this problem by offering consumers a shopping guide and index to both brands and shops that are available in Germany, Austria and Switzerland.
“The raison d'être of Lilou is my desire to connect people with 'their' colour.
I wanted to take the opportunity and expose people to their colour, the ones that make them feel relaxed, energized, happy, motivated..." says Ingrid Vercruyssen, the textile designer behind Lilou.
Connecting the present and the past, learning and drawing conclusions from either, is and will remain key to creating a more sustainable fashion industry. So far, learning from the past in particular - in the good and in the bad - has been chiefly neglected. A series of thoughts.
There are several things that come to your mind when visiting Estethica at London Fashion Week this February. To start with, the new venue , in the West Wing of Somerset House, adopted since last edition, is really sophisticated. Exhibitors are accommodated in rooms with a neat aesthetics that has one aim: making collections the only protagonists. Further, it is interesting to note that, besides the usual “aficionados” like Ada Zanditon or Henrietta Ludgate, there are some interesting international emerging talented brands.
At the forefront of the Japanese ethical fashion movement, and commercially the most successful, are social businesses. They're principle strategy is to build a firm base in their own national market, but beyond that Asian markets are their principle expansion area. Design is flexible, but their business principle are everything but.
London Fashion Week is feeling the effects of the global 'austerity' programme with fewer brands participating overall. The gems are still there and worth hunting for. Sometimes though, the gems of previous seasons remain the headlines.
The story of London Cloth is a rather engaging one. It all boils down to a rather single minded fascination for looms, mechanical ones specifically. 2 years on, the hobby has become a proper weaving shed with both mechanical and power looms, and clients such as Ben Sherman.
Khadi is an Indian fabric par excellence. Hand-made from start to finish it has for centuries been the livelihood of rural communities. But the industry is in decline. Interview with Shailini Seth-Amin, CEO of MoralFibres, a company set to re-invent Khadi.
Story telling is a powerful tool, and an important part of how we create lasting memories. Can we use the power of story telling to encourage a different type of fashion consumption?
How can environmental sustainability benefit from small and micro units? And, how can it be ensured that the associated skills sets are unique, yet valuable to the global fashion industry as a whole? Through 3 case studies from South-East Asia we show how different potential solutions could look like.