“The raison d'être of Lilou is my desire to connect people with 'their' colour.
I wanted to take the opportunity and expose people to their colour, the ones that make them feel relaxed, energized, happy, motivated..." says Ingrid Vercruyssen, the textile designer behind Lilou.
JoinedMarch 22, 2010
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My passion: ‘Future Fit’ Business as a Force for Good.
Corporate Responsibility expert for consumer goods, FMCG, fashion, textiles.
INSEAD IDP-C certified non-executive board director.
Cradle to Cradle is a design methodology that puts a 'waste-less' world at its heart. What is the concept all about? What does it mean for the apparel industry? And who practises it among designers and companies?
The 'Everything must go' exhibition, that took place from January 20 to 22, 2012, introduced the wider public to the details of the global value chain for discarded clothing. Drawing from the results of 5 years of research, the numbers and facts are staggering, and intriguing at the same time.
The coastal areas of Eastern Japan, while largely unaffected by the grade 9 earthquake from March 11th, 2011, was thoroughly washed away by the tsunami following the quake. Now that the recovery efforts are under way, also fashion companies and fashion related projects contribute their share. An overview of what is happening on the ground to-date.
At the forefront of the Japanese ethical fashion movement, and commercially the most successful, are social businesses. They're principle strategy is to build a firm base in their own national market, but beyond that Asian markets are their principle expansion area. Design is flexible, but their business principle are everything but.
Bryan Whitehead is one of the few remaining textile craftsmen in Japan who not only rears his own silk, but masters the whole textile process. Just as he as learned from seasoned crafts people, he now hands his knowledge on to his students. A plea to best of craftsmen and women cherish their expertise by teaching.
Itchiku Kubota is possibly the Japanese Kimono artist par excellence. None of his contemporaries have created such a body of work. At the same time, the artist brings the value of craftsmanship, today often ignored or under-rated, to our attention.
Scientists, engineers, designers and creators. 3 'species' of people that neither in academia, nor in industry collaborate well. Yet, precisely the fashion and textiles industry is so trans-disciplinary that collaboration is a must.
Contrary to common opinion, ‘Australian-made’ does not always mean ethically made. In some cases salaries as low as AUS$ 4 are paid. Ethical Clothing Australia is campaigning to change their domestic fashion industry from within.
'Africa' & 'Fashion' in one sentence, usually evokes the picture of the cliché matron wearing an attire in recognisable prints. To prove that these may indeed just be nothing but clichés, and that there is much much more to African Fashion, is this book's mission
London Fashion Week is feeling the effects of the global 'austerity' programme with fewer brands participating overall. The gems are still there and worth hunting for. Sometimes though, the gems of previous seasons remain the headlines.
The most recent event in the 'Perspectives on Future Sustainable Design' series highlighted the progress made in developing sustainable design approaches. Both, from a theoretical as well as from a systemic point of view. A summary.
The issue of wages in the fashion supply chain is a never ending story: the paid wages, the unpaid wages, those that suffice, or not, for a livelihood. tackles this issue in a very thorough, and at the same time visionary way by laying out a practical frame work for a Fair Wages
Connecting the present and the past, learning and drawing conclusions from either, is and will remain key to creating a more sustainable fashion industry. So far, learning from the past in particular - in the good and in the bad - has been chiefly neglected. A series of thoughts.
A fascinating book, full of examples, about how traditional Japanese society innovatively survived in a land of scarce resources, over-population and huge cities.
Sashiko - a now extinct Japanese textile technique and tradition which for centuries was used to adorn as much as make garments more durable. A portrait.
Cotton as an attractive alternative in tsunami regions. Leading textile manufacturers promoting the cultivation of organic cotton. New technologies and methods for natural dyeing processes and recycling. And five categories of Green Fashion in Japan.
Looking at the sales figures of luxury brands a single conclusion can be drawn: The luxury sector is doing well.
The structure of its customers, and the brands' efforts to maintain expert craftsmanship suggests that the luxury sector is where ethical brands really can start changing the world.
Historically, fair trade has pitch to and sold thanks to consumers' guilt. A grave mistake as the currently ongoing consumption trends show. Quality, exclusivity is what has survived the economic downturn best.
One by one European manufacturers go out of business, and with them a vast quantity of skills and knowledge is lost. The most recent example is Switzerland's Weisbrod silk weavery. Yet: it seems the tide is changing, for good reason.