Report by Jacqueline Shaw from Africa Fashion Guide, on a recent visit to The Gambia and the textile history and techniques she encountered during her stay.
Story telling is a powerful tool, and an important part of how we create lasting memories. Can we use the power of story telling to encourage a different type of fashion consumption?
'The hidden face of fair trade' is a thoroughly researched, critical review of the fair trade movement and its players. With France as the primary focus, the author revisits the movement's history, points out paradoxes and problems, and suggest what may, or not, become of it in the future.
“The raison d'être of Lilou is my desire to connect people with 'their' colour.
I wanted to take the opportunity and expose people to their colour, the ones that make them feel relaxed, energized, happy, motivated..." says Ingrid Vercruyssen, the textile designer behind Lilou.
London Fashion Week is feeling the effects of the global 'austerity' programme with fewer brands participating overall. The gems are still there and worth hunting for. Sometimes though, the gems of previous seasons remain the headlines.
Cradle to Cradle is a design methodology that puts a 'waste-less' world at its heart. What is the concept all about? What does it mean for the apparel industry? And who practises it among designers and companies?
The most recent event in the 'Perspectives on Future Sustainable Design' series highlighted the progress made in developing sustainable design approaches. Both, from a theoretical as well as from a systemic point of view. A summary.
The 'Everything must go' exhibition, that took place from January 20 to 22, 2012, introduced the wider public to the details of the global value chain for discarded clothing. Drawing from the results of 5 years of research, the numbers and facts are staggering, and intriguing at the same time.
The issue of wages in the fashion supply chain is a never ending story: the paid wages, the unpaid wages, those that suffice, or not, for a livelihood. tackles this issue in a very thorough, and at the same time visionary way by laying out a practical frame work for a Fair Wages
The coastal areas of Eastern Japan, while largely unaffected by the grade 9 earthquake from March 11th, 2011, was thoroughly washed away by the tsunami following the quake. Now that the recovery efforts are under way, also fashion companies and fashion related projects contribute their share. An overview of what is happening on the ground to-date.
Connecting the present and the past, learning and drawing conclusions from either, is and will remain key to creating a more sustainable fashion industry. So far, learning from the past in particular - in the good and in the bad - has been chiefly neglected. A series of thoughts.
At the forefront of the Japanese ethical fashion movement, and commercially the most successful, are social businesses. They're principle strategy is to build a firm base in their own national market, but beyond that Asian markets are their principle expansion area. Design is flexible, but their business principle are everything but.
A fascinating book, full of examples, about how traditional Japanese society innovatively survived in a land of scarce resources, over-population and huge cities.
Bryan Whitehead is one of the few remaining textile craftsmen in Japan who not only rears his own silk, but masters the whole textile process. Just as he as learned from seasoned crafts people, he now hands his knowledge on to his students. A plea to best of craftsmen and women cherish their expertise by teaching.
Sashiko - a now extinct Japanese textile technique and tradition which for centuries was used to adorn as much as make garments more durable. A portrait.
Itchiku Kubota is possibly the Japanese Kimono artist par excellence. None of his contemporaries have created such a body of work. At the same time, the artist brings the value of craftsmanship, today often ignored or under-rated, to our attention.
Cotton as an attractive alternative in tsunami regions. Leading textile manufacturers promoting the cultivation of organic cotton. New technologies and methods for natural dyeing processes and recycling. And five categories of Green Fashion in Japan.
Scientists, engineers, designers and creators. 3 'species' of people that neither in academia, nor in industry collaborate well. Yet, precisely the fashion and textiles industry is so trans-disciplinary that collaboration is a must.
Looking at the sales figures of luxury brands a single conclusion can be drawn: The luxury sector is doing well.
The structure of its customers, and the brands' efforts to maintain expert craftsmanship suggests that the luxury sector is where ethical brands really can start changing the world.
The word Beshtar means 'More' in Dari. The idea behind the brand and its designs is to do more for the people of Afghanistan. The inspiration for Beshtar comes from the resilience of a people living in a country that has been at war for more than 30 years.
