Like its larger sister ISPO – normally taking place at the end of January or the beginning of February, half way between the two Fashion Week cycles – Performance Days feature a high-end portfolio of performance and sports wear manufacturers, many of which actively develop and push the innovation agenda of their industry.
2 weeks after the Rana Plaza’s disaster in Bangladesh, the death toll has risen to 921 and the fire broke in another garment factory last night killing 8.
But how have these fashion brands reacted to, possibly, the worst known disaster in the history of the global apparel industry?
Not all is well with certification labels and their respective audit authorities. Self-audits, peer-audits, frauds are just the top of the iceberg. It's more - economics suggest we're going wrong with them entirely ...
Circular economy is the antonym of linear economy. Linear economy has been the dominant industrial model in our history and postulates production is followed by consumption that then ends up with the disposal of used products. As opposed to this, circular economy seeks to rebuild capital, whether this is financial, manufactured, human, social or natural and sees products having a longer or a never-ending life that are either re-used as new inputs to create new products or shared and co-owned by different consumers.
The British textile industry, chances are, never would have reached its former pre-offshoring movement glory if it was not for immigrants. In fact, if it had not been for the Huguenot influence on silk weaving – and by means of cross-fertilisation, cotton and wool – the industry would have served a pure domestic purpose for the 18th, 19th and first half of the 20th century.
Nigeria’s textile industry used to be – possibly still is – the African continent’s third largest after that of Egypt and South Africa. For one reason or another, the first two are fairly well established among brands of all colours and types as potential – and actual – sourcing destinations. Egyptian cotton is well renowned, as is their industry for jersey goods. Also ‘Made in South Africa’ is not uncommonly found in clothing labels.
The first question time discussion in the House of Lords on the topic of sustainable fashion took place on March 3rd, 2011. On March 19th 2013, nearly 2 years later to the day, the 2nd edition took place, again initiated by Baroness Lola Young from Hornsey. The summary
Definition of 'sustainable' by the London College of Fashion's Center for Sustainable Fashion.
Drakes is synonymous around the world with the most beautiful silk ties that money can buy. Founded thirty years ago on a top floor in Old Bond St and operating from a former Royal Mail depot in Old St for the past twenty, Drakes brought manufacturing back to the East End. A portrait.
It’s not news that there exist many, many labels out there that hope to convey low-risk or sustainability credentials to consumers (B2C) and/or buyers (B2B).
Some of these are indeed so specialised, or hidden within the larger context, that indeed few people have seen or taken note of it.
One such label is the Greenguard certification, which is focused entirely onto remedying negative health impacts in interior spaces: from furniture, to interior textiles, air filters, adhesives, flooring and floor finishes etc.
The term ‘circular economy’ has recently been – again – converted into a buzz word. To some extent there are a couple of good reasons for that as both common sense as well as the Ellen McArthur foundation's most recent report prove.
This article has was submitted to and appeared in edited form at the European Business Ethics Network annual conference, Lille...
The current fashion and textile landscape is fairly limited in terms of what types of materials are being used. Innovation is key, and products such as Tencel, Sorona and Ingeo proof that industry is investing heavily in R&D. Spider Silk may be one of the few natural fibres of the future yet to see it hayday.
In the 1990s, Nike was caught in a sweatshop scandal showing poor working conditions in its suppliers’ Asian factories. Not...
The “Better Consumer” report aims to be a source of reliable information to those executive saying “Show me there is demand, and we'll be happy to cater to it” when asked why their fashion brand is not producing better, more sustainable products.
For Araisara, one of the biggest influences in her career as a fashion designer, in her life, comes from a women she tenderly calles 'Granny.' Granny is the inspiration behind Araisara's SS2010 'Hibiki' (echo) collection, which features stunning Sumi-Nagashi dyed fabrics.
“Show me there is demand, and we’ll be happy to cater to it.” is the most frequently received answer when asking CEOs of consumer goods companies, fashion and apparel in particular, as to why they are not producing better, more sustainable (ecological and ethical) products.
This new report, combines – to the best of our knowledge – all available data about the increasingly popular consumer demand for more responsible products in EU countries.
Uncertainty is widespread in the cotton market: Textile Exchange published organic cotton production figures. The current Farm & Fiber Report shows a drastic decrease. Simon Ferrigno on the current developments of the organic cotton sector and about his predictions for the future of the eco fashion market.
March 22, 2012 : Araisara has completed her last runway show at Japan Fashion Week, and is preparing her collection's launch in Paris in October 2012. But while fashion shows are important, it is the people that remain the one single most important source of inspiration for her brand.
This current post is looking at supply chain risk in the light of the Europe wide ‘Horse meat’ scandal. It remains to be said that the results found so far not only suggest that undeclared horse meat found its way into cheap and low quality, possibly prepared meals. But that there is a much more general, and widely spread problem with meats of different types ending undeclared on the shelves for consumption.
